Born to Indian parents in California, raised in the US, India and southern France, and leading a double life as a musician and a doctor, singer/guitarist/composer Rupa Marya and her polyglot band of musical renegades have taken the San Francisco Bay Area by storm and are poised to bring their music to the world.
With their enchanting mix of chic French nouvelle vague, rousing Latin alternative grooves, energetic Gypsy swing, and dreamy Indian ragas, the trend-setting band is spearheading a multicultural movement that is redefining the sound of contemporary music.
Afrika'da 70'leri kasip kavurmus Senegal kokenli bir grup Orchestra Baobab.
Youssou N’Dour'u da meshur eden 'Star Band' grubundan ayrilanlarin kurdugu bir grupmus. Mekanlari da Dakar'daki 'Baobab Club' olmus. Bu arada 'Baobab' Afrika'da bir tur agac :)
80'lerde ayrilip 2001 de tekrar bir araya geldiler.
World Circuit tarafindan eski albumleri yeniden canlandi. Ozellikle 'Pirates Choice' albumleri World Music hastalari tarafindan cok sevilir.
Benim en hoslandigim sarkilari ise asagida. Made In Dakar albumu de hala Turkiye'de rafta durur.
Following their critically acclaimed debut Hidden Melodies Revealed, the Sway Machinery accepted a once-in-a-lifetime invitation to travel to Timbuktu and perform in Mali’s world-renowned Festival of the Desert. In Mali they found inspiration in the form of Khaira Arby, a legendary Malian singer, and out of their epic journey the new album House of Friendly Ghosts was born. Collaborating with Arby and Super 11, the Sway Machinery have exceeded all expectations and returned home with a new brand of cross-cultural music epic in its scope and depth.
In January 2010, the Sway Machinery became the first-ever Jewish band to perform at the legendary Festival of the Desert in Mali, a traditional Muslim country.
While the new album has the same basic building blocks as Hidden Melodies Revealed (drums, guitar, bass sax and horns), “the sonic picture is radically different. Traditional African instruments have been introduced into the mix, along with guest lead guitar players and Khaira's distinctive vocals,” voicing the multiple tribal languages of her region. Combined with Lockwood’s lyrics, which remain rich in Jewish associations and memory reservoirs, House of Friendly Ghosts bridges its own path through religion, culture and tradition to once again connect seemingly disparate musical worlds in a way that never before seemed possible.
